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Orphaned Literary Characters

We’ve had discussions before about how Disney has to do away with the parents of the vast majority of their main characters. And how, for many of the plots, if said parent or parents were around, horrible plot would not have happened.

But, I’ve realized, they aren’t the only ones who do it. Let’s take a look at some of the main characters of the Urban Fantasy Genre:

Anita Blake
Mother killed in a car wreck when she is very young (five or six, IIRC). Father remarries. Anita and her mom are Hispanic, stepmom (and children born to dad and stepmom) are blonde. Anita doesn’t fit in. She sticks out like a sore thumb in pictures. And she and the stepmom are like night and day, opposites who do not attract. (As an adult she realizes she has multiple boyfriends so that no one person can ever die and leave her alone again.)

Sookie Stackhouse
Parents killed when she’s young (sevenish, I think). Raised by grandmother.

Night Huntress – Cat
Mother raped and impregnated by newly turned vampire (new enough the sperm isn’t dead yet). Young Katherine (later to be known as Cat) is raised to believe that all vampires are evil. But she’s half vampire, so doesn’t that make her evil? Much of the first and second books have her trying to overcome the brainwashing of her mother as she comes to terms with who she is, and that she is in love with a vampire who is far from evil. She finally tells friends who are saying things like “the only good vampire is a dead vampire” that she is half vampire and they are talking about her, too. She gives them some crack about Aryan’s inviting Hallie Berry to join them, trying to explain to them why she is upset. Because they don’t get it. When Cat finally finds her father and see that she is the spitting image of him she realizes why her mom has hated her all these years, her daughter looks just like the evil vampire who raped her all those years ago. Plus, she’s part vampire, and her mom has just been waiting for that evil gene to kick in. And yeah, she’d tell her that. What a horrible thing to say to a child.

Rachel Morgan
Mom still alive, dad died a while back. It turns out (to be learned later in the series) that her dad wasn’t her biological dad.

Kitty Norville
Parents are still married. Very functional family. Even when she is forced out of town for a few months she still talks to her mom on the phone a few times a week. See all you authors out there? It is possible to write an interesting character who was raised by both parents, who has a good relationship with said parents, and who’s parents are not psychotic.

Kate Daniels
She’s an orphan, and then even her guardian gets killed, which leaves her completely alone. I’m having trouble remembering the details of what happened to her parents right now. I really need to re-read this series before the third book comes out next month.

Mercy Thompson
Mother dated rodeo guy, Native American guy named Coyote-something-or-other. She gets pregnant and he promptly dies in car crash. Mother has no idea boyfriend was a shapshifter and is shocked when her infant daughter shapeshifts to a coyote in the crib. There is a great uncle somewhere who is a werewolf, she contacts him and the baby (Mercy) ends up being raised away from mom with in a pack of werewolves. Mom visits Mercy every summer for a week or two. Mom marries and doesn’t tell husband or kids she has with husband about this other daughter (how would you go about explaining your child shifted into a coyote and you doubted if you were capable of raising her so you sent her to someone who could?). When Mercy is 16 the pack leader’s several hundred year old son plans to run away with Mercy and elope, the pack leader is sure that’s a bad idea and he sends Mercy back to her mom (she can control her changes by now, it’s safe). Mom and stepdad and sisters take her in and love her and accept her, but she never feels she fits in. Just as she (a coyote) never fit in with the pack of wolves. (Adult affect: She’s never fit in anywhere, so she became a loner and took steps in early adulthood to make sure no one got too close.)

Meredith Gentry
The ultimate dysfunctional family. Her mom died left when she was very young, her dad loved her and did his best to protect her from the rest of the family. Dad is dead now and she has to hide from the family as the series starts so they won’t kill her. Her dad’s sister happens to be Queen of the Unseelie Court. It doesn’t get much darker and crueler than that. Merry is also somehow related to the King of the Seelie Court, and I think he’s worse than the Queen of the Unseelies.

Riley Jensen
She and her brother are half werewolf half vampire (supposedly impossible, but somehow it happened). They were raised with their pack, but were never really accepted. They are now outcast and it’s just the two of them. Wolves need a pack, but they are making do with a pack of two.

Cassandra Palmer
Her parents died when she was young and the vampire they “worked for” took her in and raised her. It is so much more complicated than that. There is time travel. To explain it would take longer than the original book is long. Let’s just say that after the death of her parents she was not raised in an especially warm and nurturing environment – good schooling and adequate care, but no nurturing.

Bella
Both parents alive and not psychotic, though divorced.

Acheron
What can I say, other than this is the ultimate adoption-gone-wrong. Acheron’s mother was a goddess, and the other gods and goddesses wanted to kill her baby, being that he was foretold to be the one to kill all of them. So she implants him in a mortal’s womb, thinking her son will be safe raised by the King and Queen. Uh, wrong. And now, even though Acheron is more than 10,000 years old, he still bears some pretty strong mental and emotional scars over the things done to him. His story has to be one of the saddest ever written. But, like the sword that is forged over and over, it made him strong. And, lucky for mankind, he somehow managed to turn out good, not evil.

Cal Leandros
Mom is a crack wh.. uh, prostitute. Dad was a very evil thing. Think, much worse than the most evil vampire ever written. Maybe closer to one of the dark Fae than a vampire. Or a cross of the darkest of those mythologies. Cal and his big brother basically survived on their own while their mom was wasted or gone. Cal’s big brother protected him, since as a child and young adult Cal was nothing more than a week human with non-human things that watched him sometimes.

Harry Dresden
Parents killed. Raised by an uncle. Err, make that evil uncle. Killed evil uncle. Found guilty of murder, which is an automatic death sentence for a wizard, but since he was a minor and there were other circumstances, he was put on a type of kill-him-at-the-first-bad-thing-he-does-probation and sent to live with a wizard/mentor capable of killing him if he got out of hand.

So out of 14 series there is one main character (Kitty) raised by two biological parents where both parents are still alive and still together, and one main character (Bella) with two biological parents still alive (though divorced) and active in her life.

Six of the characters were not raised by a biological parent at all (Sookie, Kate Daniels, Mercy Thompson, Cassandra Palmer, Acheron, Harry Dresden. Of those, Mercy and Acheron now have a relationship with their biological mother.)

Six were raised by one biological parent after losing (or never having) the other bio parent (Anita Blake, Night Huntress – Cat, Rachel Morgan, Meredith Gentry, Riley Jensen, Cal Leandros), unfortunately for four of those six the remaining parent was pretty much a failure and there was still no nurturing (Anita Blake, Night Huntress – Cat, Riley Jensen, Cal Leandros).

Only five of the fourteen had a happy and nurtured childhood (Kitty Norville with two bio parents, Sookie raised by her grandmother, Rachel Morgan with bio mom and not-bio dad, Mercy Thompson raised by foster parents within the werewolf pack, Bella living with mom and visiting dad in the summer). The other nine had a childhood worthy of screwing up just about anyone.

I have no idea what made this all come together in my head. But it did, so I typed it out. In some of these stories the parental non-human is necessary for the supernatural portion of the plot. And for some the issues left over from childhood help make the character real – I think Anita Blake falls into this category because since she’s almost perfect in every way with the exception of her issues left over from her stepmom and dead mother (and father who doesn’t have a clue). It gives her a flaw so she isn’t perfect, because characters aren’t supposed to be perfect.

At any rate, is it the nature of the urban fantasy beast that makes these characters have to (for the most part) be brought up without both of their biological parents? I wonder if a list of other genres would look this way? We know Disney and Urban Fantasy look this way, what about just plain old mystery, or just plain old romance, or just plain old crime thriller?


 
 
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15 Responses to “Orphaned Literary Characters”

  1. jump4joy Says:

    Eeeps!

    I have to disagree with the queen. Merry’s Mom is quite alive. She is just lame and selfish. She failed to protect her from the aunt and the uncle who both tried to kill Merry at different times. Dad took Merry and Grandma (his brownie mother) to be raised in safety with the humans. Away from all of it. Remember her Mom comes to try and convince her to come to Seelie court and be with the King in the last book? Her Mom tries to be all forgiving now that she has a chance to be Mom to a queen. UGH!

    J4J

  2. RumorQueen Says:

    Ack, you’re right. I’d completely forgotten about that. Merry’s mom is alive, though completely gone from her life (until mom thinks she can get ahead by using her daughter). Merry was raised by her dad, and he protected her from her Aunt and her minions as much as he could.

    And it’s through her mom she’s related to the Seelie court, that’s right. Thanks for the reminder.

  3. momtolily Says:

    After the urban fantasy genre, you can look at children’s literature, even before Disney gets their hands on it. Thinking of J.K. Rowling’s Harry Potter but also Roald Dahl’s main characters from James and the Giant Peach, Matilda and Sophie from the BFG. There are others, I’m sure.

    Mom to Lily

  4. shandalaoshi Says:

    One of my favorite young adult authors right now is Tamora Pierce. It’s been interesting watching the role of families in her books as time goes by. Her first two Tortall series featured heroines who were either orphaned or might as well have been. Her third one, the Protector of the Small quartet, has a main character who has a great relationship with her parents, and in particular, really looks up to her mother. She doesn’t live with her parents (she’s the first girl in a century to train openly as a knight, and they don’t let pages bring their mommies with them to the castle), but Kel talks to her mother regularly (including discussing the development of her female body–something the pages’ curriculum doesn’t cover!) and just in general has a healthy relationship with her. The fourth Tortall series has a heroine who is also living away from her parents (having been captured by pirates and sold as a slave in another country), but spends a good bit of the book sorting out her feelings about her mother. She starts out the series feeling that her mother doesn’t understand her at all (although they love each other dearly), but comes to realize that they have more in common than she thought. So…yeah, it’s convenient for the sake of plot to eliminate parents as a way of creating adversity for the characters to overcome, but it IS possible to write a (really good!) book with healthy family relationships in it. For anyone who enjoys the young adult fantasy genre, I highly recommend Tamora Pierce, especially the Protector of the Small quartet.

  5. kms Says:

    There are so many characters out there.

    Most books movies for kids always have the adult incapable or dead. Like Bella, Harry Potter, pick a book by Dahl.

    Kristine

  6. RumorQueen Says:

    You know, I can kind of get why authors have to kill off kids’ parents for a children’s book. They’ve got to get the parents out of the way somehow.

    But the books I’ve pointed to above (with the exception of Twilight) are written about adults, and they are written for an adult market.

    I guess I’d just never realized that authors tended to kill off parents for adult main characters, too.

  7. jump4joy Says:

    The list could go on and on but I wanted to mention a series of unfortunate events. Their parents being gone is the most important part of the story…

    I just watched Hotel for dogs with my four year old. Just for fun, but I really ended up enjoying it. The kids int he movie lost their parents (of course) and had been from foster home to foster home… the theme is they rescue dogs – no matter what their issues are. Turning no dog away, they all deserved a home. Needless to say DH and I both cried like babies.

    Was a very good film – as silly as that sounds.

  8. momto4hopefully Says:

    I think the best part of Hotel for Dogs was the fact that there was a transracial adopton at the end and they didn’t make a thing out of it. It was just the right fit for everyone.

    Also back to the OT -in the Highlander series all 4 main characters have lost one or both parents at a young age. 2 of the 4 being raised by other family members, the other 2 in a step-parent type situation. Maybe it’s because it is a theme that everyone can relate to. Everyone is someone child, most people have or want children. Just specualting.

  9. TrulyBlessed Says:

    And we can’t forget the “original” literary orphans:

    Little Orphan Annie
    Oliver Twist
    Heidi
    Anne of Green Gables
    Pippi Longstocking

    and then some current literary orphans

    Violet, Klaus & Sunny in “A Series of Unfortunate Events”

    I hadn’t put much thought into this, so it’s amazing how many main characters there are who were “orphaned”.

  10. LouiseMe Says:

    This year’s Newbery winner, announced just a couple of days ago, stars an orphan (Neil Gaiman’s “Graveyard Book”).

  11. oneblessedfamily Says:

    The original Disney classics (Cinderella, Snow White, Beauty & The Beast, etc….) weren’t written by Disney. It goes so far before Disney — into the fairy tails by the Grimm Brothers, and even further back than those.

    On a separate note, I had no clue who any of those people were in your post. But quite a few of their stories sound interesting, so maybe I’ll have some new books to read!

  12. fjm Says:

    Nancy Drew–remember her? Dad was benevolent and kind but definitely not in her way.

  13. waiting4Ash Says:

    Not a book but one of my favorite movies is “Angels in the Outfield”. Danny Glover is a single man who adopts both boys, and their race never comes into it. Plus the movie addresses some intense abandonment issues.

    Actually somebody brought up Annie. I’ve been thinking about that movie a lot lately in terms of adoption and its themes.

  14. fortunefish Says:

    I run into these type of literary-orphan threads all the time on China boards, and they are interesting.

    Today, as I work at the library, I went to an expert A LIBRARIAN who turned me to an article about literary themes.
    Some people say there are no new stories…
    The “orphan as hero” is a very common theme and transends both time and culture. (The oldest written record of ‘Cinderella’ is the Chinese version)
    The reason why: orphans are the ultimate underdogs in liturature, they represent the greatest possible isolation/alienation and the most satisfying redemption/reconciliation.
    In other words, orphans make for great stories. A writer knows they have a good chance of catching people’s sympathies with an orphan as hero in their story.
    And additionally, orphans figure in many non-fiction stories as well.

    If you want to read more, Dennis Leoutsakas of Salisbury U is one of many who have explored this topic.

  15. waiting4Ash Says:

    fortunefish, That is facinating! Thanks.